February 18, 2018

Black is the new white.

Black is not a colour that I wear much at all. It isn't too bad if it is 'below the belt' and so I have one black skirt, but I think that is the limit to that colour in my wardrobe. If it is anywhere near my face, it just drains all the colour out of me and I definitely do not look my best!

Why then have I gone crazy with black backgrounds lately?

It seems to have become a trend with me over recent months and black has been the colour of choice for quite a few of my projects.


There's no doubt about it, there are certain tones and shades of colour that are enhanced against a black background. Even the pale pinks and blues in the dresden plates above look so pretty against the dark fabric. In fact, I venture to think that they would look rather insipid against a white or light background.


Then I love how the black brings out the strength of the bright colours. They seem to positively glow.


I had this gorgeous piece of white peacock lace, so what to do with it but to put it against a dark background. Sequins and beads add to the sparkle!



For my "Pathway to Colour" Drunkard's Path Cushion, I chose to make ombre strips and I love how the pink, purples and aqua stand out. 


This design featured in Handmade Magazine No 36 Issue 9 if you are interested in the pattern.


At the moment I am working on another quilt using some gorgeous Tilda Fabric, but I've gone back to an off-white background for this one. I realise you have to really pick the right time to go black!

Happy stitching!
Val

February 4, 2018

The Juggling Act

A couple of years ago, our lovely younger daughter arrived on our doorstep with a plastic bag of fabrics. There were a couple of pretty blue and yellow yardages, lots of medium-value, medium-scale smaller pieces and a lovely border print. It all came with the request to design and make a King Size quilt for her!

That bag sat in my sewing room for some months while I tried to figure out how I could design something suitable with all those bits and pieces. The lovely border print had to be the foundation. It wasn't a huge piece so I worked out the maximum size I could get out of it with mitred corners, and then fitted everything else around it.  


Above is the rough digital mock-up of what I thought would work (ignore the butterflies which shouldn't be there). Daughter was fairly happy with it, but husband didn't like it at all! Seeing it was for their own bed, they both needed to like it!

Needless to say, the bag of fabrics went right to the back of my sewing cupboard, hidden away where I couldn't see it!

Last year, two years later, I was looking for something to stitch. There was by now only a limited market in magazines for the smaller projects I liked to design, so I was thinking it was time to make another quilt.  It was then I remembered that bag of fabrics!  But I also remembered the dilemma of trying to please both parties!

I made an executive decision that I would design the quilt, add some of my own fabric to it to give more possibilities, make it, and pay to have it professionally quilted. Seeing I was supplying extra fabric, backing fabric, batting and the quilting, I figured it was going to be a good Christmas present for our daughter!  If she didn't like it, then I would pay her for the fabrics she had given me and use it in our own home. 

Then began the juggling act! Thankfully with my EQ7 software programme, it was easy to see what would work and fit and whether I would have enough of any one fabric. Lots of designs later, I came up with this centre design to fit in the pretty daisy border fabric.


But whatever was I to do with all those medium-value, medium-scale prints? It took a while, but eventually I thought of a piano key border. Set between the brown strips, it is a nice wide border, without detracting from the feature centre. 


I had JUST enough fabric to add a final border to make the 100 inch square quilt and enough bits and pieces to make two matching pillow cases.


I finished it well before Christmas, so offered it to Australian Patchwork and Quilting magazine and they published it in their December issue, Vol 27, No 10. You can see that I called it "Joyful Juggling":

   
Christmas Day arrived and I was half hoping that daughter didn't like the quilt so that I could keep it for our spare room! It was probably only about a quarter hope, so I was really thankful that she liked it and it went off with lots of love to their home. Daughter tells me that every time they walk into the bedroom, seeing the quilt conjures up happy, sunshiny feelings! What more could a mother ask for?

Val